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When an image ends up going viral..

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Just occasionally, I will shoot an image that gets picked up a creates a (minor) Twitter moment, and I see it gaining a life of its' own. This image of the MP Jacob Rees-Mogg (Brexit enthusiast) is one of those moments. Shot originally for the Times Magazine, it was only when the Guardian reproduced it in a profile piece, that it got picked up on social media. The author and journalist Bonnie Greer reposted the image along with much praise, and before I knew it, it was bouncing all round the internet. The picture was then reposted by celebreties whilst being endlessly adapted by a few (cruel) Photoshop geeks, who added flames and comments on to my original image which gave it extra life in a new form. Following multiple online suggestions that the National Portrait Gallery should buy it, I added the image to a list of suggestions that I was already in the process of sending the gallery. To my suprise, the NPG  recently agreed to acquire the image (p...
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What do you mean the snow's not real?

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'daddy, what do you do all day at work?' Well, this is what our dear Tom Gormer at the mag made of it all- BEHIND THE SCENES WITH NIGELLA The inside story of this week's cover shoot Stylist's Photography Director Tom Gormer - and now cover star, sort of - reveals 10 things he learnt on our Nigella Lawson photoshoot 1. The theme of the Stylist shoot was a ‘behind the scenes’ of Nigella's Christmas, hence my cameo appearance on the cover, blasting fake snow all over the studio. Best. Job. Ever. 2. What you don’t see is the snow machine is leaking and I am covered in a weird smelling liquid chemical 3. Nigella keeps little bags of retro sweet in her handbag. She gave me a cola cube. Twice! 4. A very long discussion was had about the perfect chip. French fries? Homemade proper chips? Chip shop chips? This was before I had seen the brilliant episode of Nigella Kitchen where she ‘cooks’ chip shop chips in bread with hummus. 5. I was also under STRICT instructions not to g...
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McQueen & Moss: a lesson learnt/Part 2

Arriving at the enormous venue with my assorted camera bits hanging awkwardly off both of us, we gained entrance and were shown to a drab entrance area, where the Taylor-Wood picture was mounted rather high up on a wall. Now there's only so much you can do with one light, a battery system and a reflective background, so I set up in the only way possible-head on, and blast 'em with light. Camera on tripod we waited. And waited. Finally, Kate Moss arrives, looks at me, says nothing and walks on by looking around the various preparation areas for the models and make up. I waited a while and then went to ask about the shoot and where McQueen was with Miss Moss. Just then, the man himself arrives, looking shy and flustered. Five minutes later and I have dragged two extremely reluctant subjects in-front of my set up. My goodness they did not want to do this-perhaps no-one had told them, but they just looked defensive and well, furious. 10 frames for the sweaty photographer and t...
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