This week I have mostly been shooting PR pics for Hodder & Stoughton

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Year 4 Winner (just)

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Wow, after making the final edit for three years on the trot, I have made the edit of winners of the 2019 Portrait of Britain Award, for the published book version (and not the digital displays). Strangely, this was an image shot specially for the competition-something I've not done before . Planning next year's entry as we speak..
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When an image ends up going viral..

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Just occasionally, I will shoot an image that gets picked up a creates a (minor) Twitter moment, and I see it gaining a life of its' own. This image of the MP Jacob Rees-Mogg (Brexit enthusiast) is one of those moments. Shot originally for the Times Magazine, it was only when the Guardian reproduced it in a profile piece, that it got picked up on social media. The author and journalist Bonnie Greer reposted the image along with much praise, and before I knew it, it was bouncing all round the internet. The picture was then reposted by celebreties whilst being endlessly adapted by a few (cruel) Photoshop geeks, who added flames and comments on to my original image which gave it extra life in a new form. Following multiple online suggestions that the National Portrait Gallery should buy it, I added the image to a list of suggestions that I was already in the process of sending the gallery. To my suprise, the NPG  recently agreed to acquire the image (p...
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I need a Doctor

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Two days of my repartee was the trial that Matt & Jenna braved through for two Who shoots the other week. One for Radio Times and one for the Times Magazine. You can imagine the confusion with all conversation involving the word 'Times'. Suffice to say that these were two pressured short shoots, but with a bit of sweat and tears, all elements shot and completed. Radio Times wanted shots for a variety of uses including composites (and very much in character), whilst the Times wanted a more 60's fashion feel along with an Augmented Reality film. The great thing about these two actors is that I explained the shot list once, and they just 'got it'. I can't tell you how unusual this is. To understand how cover shoots work you need a real sense of artificial closeness as required by layout, along with a varied of positions and presentation in sympathy with the lighting. Matt & Jenna are great and delivered all the right expressions and passion for the co...
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